elevation limited returns with a set of remixes of zoe xenias 2011 elevation hit >i know you can<. zoe stands out among the glut of house music producers due to the fact that she is a songstress as well as an accomplished producer on labels like suara and d julzs bass culture imprint, connaisseur, microzoo and plastic city. the sultry vocals of >i know you can< get the rework treatment from darran nugent and pavel lenchenko (mood music) and werner niedermeier (off, compost, kling klong and safari numerique). zoe also reworks it on her love shack rendition and strips it down into a pure dancefloor groover. coverart by: emiliocaccaman (ita)

a freshly minted london label, clueplants mission is to push twisted, imaginative techno with a raw analogue energy and a futuristic approach to sound design.the first release showcases a balance of two distinctly individual and intoxicating tunes which have seen enthusiastic reception on the dancefloor and radio while doing the rounds as dubplates. the a side hosts a powerful chunk of modern techno energetically played live and is the first release from london producer 12&bit, a perverse hardware purist whose vinyl and live sets have thumped out at teknivals aross europe and seen over 2 million downloads of his played-live techno through the open-source audio globular music library. on the b side the perversity is taken a step further by the infamous bulgarian electro deviant, manasyt. following 11 years of quality vinyl output on prolific labels such as kommando 6, touchin bass and bunker, the balaclava-clad nomad manasyt has set up his studio in the techno capitals of the world, berlin, london and detroit, and is now in china pumping out his trademark brutal and forward-thinking industrial techno for clueplant

jason mouse is a veteran electronic music producer currently based in san francisco.he is regarded as one of the pioneers of drum n bass in the us and was initially signed to londonbased dubshack records. as a well respected bay area musician he was an active member of the phunckateck collective and released his productions in classic labels such as green label and sm:)e communications. he continues to collaborate with local prominent figures such as ufo! with whom he coauthored the late 2011 release comfort kills on subdepth records. as an artist up to speed with electronic music development and a vast experience jason mouse delivers his new release on la flaca recordings at slower tempo, invading 4x4 territory with evolving melodies, diverse textures, and drawing parallels from techno and house with a drum n bass aesthetic.

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

this is the debut vinyl release from up & coming producer jim morton. the 12 inch presents two different flavours of the jungle sound. the a side is nyc-dub, a heavy duty track with plenty of pace and energy. an atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. think ray keith meets breakage!
on side b, >underwater chord< is again a jungle bass tune but on a different vibe. it is a brighter sounding track, due to the chords and sounds used, which wouldnt be out of place in a liquid style production. with both tracks there is a tip of the cap towards the old skool sound.

the first release from nm black is ganja man, ganja woman, produced by nm’s new signing killa mosquito, a production collective fresh on the scene fronted by curtis lynch. in keeping with the necessary mayhem tradition, the bass is at its maximum and the drums are even heavier. this bass-heavy track features vocals from international reggae star, mr williamz, as well as a host of samples from old-school reggae soundtapes. on side b of the release, there is an exclusive dub from killa mosquito entitled ganja dub. less vocals, more bass!
already getting love from mainstream radio djs, such as rinse fms crises, this track, and label, is set to be massive.

flight facilities are first up with their personal extended mix, germanys david august, the 20 year wiz kid whos just be inducted into cult hamburg label diynamic, enters with a pitch shifted druggy flip on the original. danny daze is the man behind the huuuge hot creation anthem -your everything- and has gone crazy with his glitched out aphex twin-esk 5am mix while uk duo mam (matt hughes and miguel campbell) bring it back with a chunky bass and rhodes summer anthem.

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

with the beautiful melodic sensibility of borais synth lines meshing with octobers jacking body beats, they fuse to create 2 sublime slices of warm, deep, but propulsive blends of slo-mo house, techno, & bass. >i didnt mean to< has a detroit techno soul feel with bukem style bass stabs and rainforest jungle ambient noises, whilst >palmarosa< is a sure-fire set starter, taking its time to build with cavernous bass stabs adding drama until the heads down jacking ensues.

das sollen still flyin sein? das soll diese band sein, die damals auf ihrem debüt die indie-welt mit einem charmant-kruden mix aus pavement, rocksteady und new romantic verwirrte? das klingt ja wie scritti politti! oder prefab sprout. oder frühe tears for fears... und der bass? der klingt wie new order! wow! seit der ersten zoot woman, nein, dem les rhythmes digitales-album >darkdancer< haben wir kein album mehr gehört, das dermaßen 80er-retro und jetzt! zur gleichen zeit ist.
inklusive cd-version des albums.

horch, horch der storch, im nebel taucht er auf und macht seinen lauf,stakst durch weites feld, den sommer im visier und laesst vier feinstestuecke hier. vom mischtonmeister marcus sur holte er diese werke hervor , drei orginale alla couleur und ein remix von mollono.bass warten nun auf gehör.

our first release of 2012 has seattle veteran 214 merging his classic electro style with current uk bass flavours to create a tantalising 4 track ep to wreck dancefloors and is already receiving support from boddika,girl unit,addison groove,bok bok,braiden,dexter,patrick pulsinger,speedy j and appleblim.

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep

a made up sound aka 2562 and dexter deliver two remixes for arttu featuring jerry the cat. nuclear funk and get up off it get transformed from raw chicago influenced cuts into darker electro/techno hybrids by these two dutch techno wizzards. both known for their sharp productions that cross over between techno, electro and bass music they have a fresh take on the original versions. by the choice of remixers we didnt expect the standard house remixes, something more challenging would fit the spirit of the originals. this remix 12 inch might be is somewhat of a dark horse in the house orientated clone royal oak catalogue, but expectations are to there be messed up.

straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

martin brodins second single from the forthcoming album which is due for june 2012. it follows the successful badabing which featured diskjokke as remixer. strings attack is all about the strings for disco. ok,now you may think he gone all cheesy here, but that’s totally wrong.it still have the funkyness and groove it needs to be a full-fledged disco anthem in our ears. and we invited two of the most prolific producers out there to make this a rock solid release. switzerlands finest, headman (robi insinna), who we all know from his own relish label and releases on gomma. he turn the original to an uber-cool bass-laden track and makes it a bit more in-your-face to speak, while the original is a bit more freestyle. second out is spanish born ilya santana with his funky mellow take. its a perfect remix for those beach parties we all love.

following last years triumphant debut on untolds imprint hemlock, brighton based producer guy andrews is back with his first 12 inch for hotflush recordings. a superb followup to his 2011 auditory missive, the wait / hands in mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts. shuffling and persistent, side a is bass-driven track filled with arpeggiated goodness, while on the flip, andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune. with recent acclaim from xlr8r, resident advisor and truants along with dj and radio support from the likes of benji b, l-vis 1990, brackles, sound pellegrino, shortstuff, benjamin damage and throwing snow, guy andrews is on the rise. lookout for another 12 inch via hotflush this fall.

dj support from. dj koze, scuba, peason sound, maya jane cole, craig richards, untold, midland, mosca, ame, dexter, sven vath, agoria, jackmaster, george fitzgerald, paul woolford, will saul, comix, carl craig! the third release from mysterious double act dense & pika sees them returning to the more low slung techno vibes of their first release. 31 is a slow burner, submerged beats shuffle along before the tracks off kilter millsianesque riff is introduced which gradually oscillates in intensity throughout.a truly heady experience all wrapped up in d&ps super skilled production, it was a feature in jackmasters recent ra podcast and has gained further support from a wide range of djs from dj koze to sven vath. flip sides bad ink ratchets up the tension with a serious warehouse style jam, big booming cavernous kicks and twisted fx stamp their mark before dropping into a raw melancholic bass riff that takes the track to epic heights

what is techno is the first single to be taken from techlegend in the makin florian meindls long awaited debut album waves (1-12)inch, due for release soon on his very own flash recordings. what is it techno? what is house? good question and its the doubt that drives you on the dancefloor. florians original is perfectly crafted deep groovy tech. a delicate melody belies the raw power, generated here by the growling bass and drum line. ramping up the filth factor and still riding high from the release of their second city ep are boys noizes, shadow dancer. matching detroit synths with sinister bubbling acid the manchester duo create a beast of a mix that also displays an equal amount of beauty.

thinking too much/where the helios is juk juks second release on nommos. thinking too much is the most direct juk juk release so far. its peak time fare, aimed squarely at the dancefloor. the dreamy intro will fool the unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass. where the helios is the real dream side. a floating, hallucinogenic, spaced out drift, driven by a crisp, pared back rhythm and a gorgeous, woozy vocal- led melody. juk juks first release for nommos was unwrap/fall and before that his debut, winter turn spring/frozen, was put out by kieran (four tet) hebden on his highly regarded text label. all juk juks output to date has been critically acclaimed, coverage including fact magazine, pitchfork, mix mag, abeano, the fader amongst others. his releases have also received significant club and radio plays including mainstream radio 1 support from admirers giles peterson and rob da bank, who has promised support for this release. four tet said the room went off when playing thinking too much at a recent event.

smackdown recordings sets the pace for 2012! just only 1.5 month after the previous heavy hitter by cooh and counterstrike they present the i:gor:this is what i am ep. long and awaited tracks in the making makes this one is a guaranteed heavy hitter. the a-side features the hit:this is what i am which makes any dance floor burn down till the ground. the b-side contains the famous track: coretoon, a beloved track by the hardcore audience. other tracks on this ep are 4 fuck sakes and ofiomerfus. smackdown keeps setting the tone with original releases and the 4th release offers a great combination between hardcore and drum & bass. must buy release for every i:gor and smackdown fan!

ss004 fuses 128 bpm house and techno with elements of uk bass, while taking cues from cajmere and chicago. brawther:excellent release 5/5 definitely a record that will stand the test of time.

with additional supporters ranging from riton, sinden, fake blood, harvard bass and even skrillex, were very happy to be able to present a full ep from john roman on lektroluv!

fresh out of melbournes reputed house scene, the tortoise is one of the hottest talents to emerge from the current wave of house breaking down under. a side the puffing tortoise captures the 21-year-olds precocious talent and aims it squarely at the peak time. working his trademark airy vocals around a familiar disco refrain and bubbling bass, he works the track into a sweaty climax and skilfully keeps it there throughout the midsection. turning in a late night chugger on their remix, berlin based canadians the mole and hreno ride an insistent pulse and insect like percussion. twisting the samples, they guide the track into a dark jungle of chattering sounds to temper the tortoise youthful exuberance. the analogue melancholy of keep on keepin on is all in the sweeping synths and twinkling effects. recoiling the tension, the chicago influenced track seeps through the speakers and will sound as good at home as it will during specially chosen dancefloor moments. rondenion approaches the title track with fearless disregard for the original, combining the swelling tortoise sound with something entirely his own. his addition of a funk fuelled midsection, really breaks the track down and adds another slice of character to an ep already brimming with it.

saulty and bradka, the two behind vilnius based downtown party network tag team, combine together more than 10 years of dj and production experience. their original productions have been signed by eskimo, loud east, bear funk. their remix work has been commissioned by pete herbert, kolombo, main stem, deadstock 33s, tj kong & nuno dos santos and even sander kleinenberg. their gig geography ranges from london to dubai. which doesnt give even a tiny shadow of doubt on their musical credibility and ability to rock the party. here they deliver the first single of another kind for best kept secret - killer bass line combined with irresistible jazz chords on a side and some metro areaish stripped down funkiness on b side. dance music machinery at its best. best kept secret - hidden sounds of vilnius house scene uncovered & presented by vidis.

the third installment in the cobblestone jazz 12? series brings two more tracks. on the a side we find whos future?. full of bubbling elastic bass and deep chord swells, its a laidback affair with a snappy groove to push it along. on the flip is across the nation, a stripped out and up-tempo electro jam with crisp breaks and gated pads. all the elements mingle together to create a thick bed of future funk. another wheel for your wagon.

apartments 3rd release comes courtesy of acclaimed producer lerosa. for this, his first release of 2012, he delivers 4 electro-based cuts, a rarely seen side to the man predominantly known for his house productions. the sparse and melancholic combat starts off proceedings, before titaniums throbbing bass, combined with mr. rosas unique melodic sensibilities, increases the pace. on the b-side slavery is a furious acid jam, constantly rising in energy over hectic percussion and a wall-shaking electro beat. finishing on decisions, the pace is reduced considerably while the acid stays intact, delivering the 12 inchs only 4/4 kick for what is lerosas most euphoric cut to date.

sun is shining, people smiling! just in time for the spring/summer stranjjur delivers a nice sweet sampler made for open airs. maya jane coles, nic fanciulli, sasha, droog, m a n i k and my favorite robot already supporting. nycs stranjjur imprint serves up an eclectic, assorted variety of dancefloor candy from its forthcoming mix compilation, featuring some of the hottest artists around at the moment. whether it be the melodic and climatic >visions< from lula circus, or the party rockin >so fine< from hot creations and no.19 artist miguel puente, the a-side is sure to rock the party proper. the b-side aims toward the tougher dancefloors, as bass cultures john dimas drops the acid-tinged dancefloor bomb, >dont stress me<, and the release is capped off by the deep and chugging >down from earth< from cosmic cowboys.early support coming from maya jane coles, sasha, nic fanciulli, manik, dave seaman, and more.

with back-to-back singles on millions-of-moments, and contributions to a number of bass related compilations, lostlojic now joins the ranks of phuture shock musik to kick off the labels first release of 2012, entitled >she s special<, a heartfelt garage cut that rides the fine line between introspective home listening and dancefloor immediacy. the single is backed with remixes by opr8 and troy gunner.

fly away is their debut release for leng and, at 16 minutes, is as long as it is mesmerising with it s lazy afro quality. full of analog instruments, guitar, bass, synths and percussive sounds create a dirty but unique window into the unusual minds of the mushrooms and has set the standard for their future releases.

vinyl only ! yeah !!!
since october and their 1st ep leif/mariam by konstantin sibold played a lot particulary by move d in several podcast. caramelo is back this spring with a special new one ! caramelo met a secret new comer from vienna in house scene : wasnme. wasnme gave here 3 exclusively tracks ! on a side you find >standing hi< a sweet balearics melody following by a groovy bassline and deepy synths. the 2nd on this side is >aleks< (short mix) produced by our friend from rocker 33 in stuttgart : konstantin sibold ! with an old school chicago style and such a groove who gave a touch of class ! on the flip, >whatever< bring a good moody atmosphear, a kind of detroit here ! >we are puttin it mathematically< is the good conbination of some synths seems to be from detroit and an intensive bass who never end. spring time you said ? summer time indeed !

will azada is back for his third appearance on proper trax, and his first solo 12 inch, with the appropriately titled strictly heat. drawing from the success of the labels split personalities ii, his collaboration with piltdown sound on the wet feet ep on woods n bass, and >easy does it< on the newly-minted mystical disco imprint, will azada continues to draw attention to his diverse style with three floor-torching cuts on proper-003. from the driven, hands-in-the-air piano house of >pump that shit<, to the queasy chords of the unconventional, yet highly mixable >drunk sequence<, to the relentless, searing arps of >for the floor<, strictly heat is likely to induce near-strokes on dancefloors globally. other info: marbled color vinyl, red jacket, black sleeve, 200 copies available.

when they are not remixing the likes of example, tinie tempah and avicii, or hosting bbc 1xtras d&b mix show dc breaks are busy making dance floors the world over quake in fear. their subwoofer-worrying, rib-rattling approach to writing drum & bass with a melodic spin has earned them a position as true leaders in the genre. all made the more potent as they unleash another immense release on the ram records imprint.

nice price deal !!! vladivostok lad eastcolors is probably most well-known within the dnb community for his mixes and for his collaborations with enei and nuage. as far as modern drum and bass is concerned eastcolors is at the forefront of that techy, fresh sound emanating from eastern europe and russia. with this in mind then, it is clear that while his tunes fuse well with his fellow russian drum and bass cohorts, eastcolors is making a departure from collabs. what better way to celebrate demands tenth release then, with eastcolors settings about placing his name upfront and alone with his first ever solo 12 inch. on the flip >heavy tone< rumbles forth with a typically eastcolors take on what a roller should be. lenzman-esque synths and strange, celestial vocals are quickly worked over by an electrical storm of droning bass and pads. as the synths return to break up the clouds here and there, >heavy tone< loses the idea of becoming another lost bass-heavy roller and settles into being a multi-layered piece of quality drum and bass.

here is the 10 inch vinyl only release from plan bs very own dakini9. she delivers two ultra-deep, emotional tracks filled with hypnotic synths & warm bass tones without overdoing it, but giving you much more to digest throughout multiple listens. a must have for any fan of her work or of the plan b recordings massive catalog.

thieveland jams … thug records next 12 inch presents a new 4 track e.p from one of the undergrounds commanding lieutenants, jeff samuel. named after his hometown of cleveland ohio, the thieveland jams e.p hits hard with 4 hammer minimal house jackers. punchy bass, looped up percussion and jazzy chords sit tightly against the back drop of jeffs signature soundscapes. a seminal house & techno artist, jeff samuel has a back catalog of street ready bombs on some of the most respected labels worldwide including spectral sound, logistics, trapez, poker flat and dan bells legendary 7th city. not much else needs to be said really … hope you dig the tunes as much as we do!

modularz label head developer launches a special project currently limited to only vinyl on limited pressings. the developer archive sheds more light on re-invention of american techno in its purest form. warm bass music to move.

spring is here. its the time for lightly dressed easiness. its the time for big emotions. and when it comes to music, its the time for acker-sound! matching the outbreak of the open air season, it comes in the form of extra laid-back dub techno. the >ganja tune< from english producer robot needs oil moves somewhere between casual dance steps and relaxed hip swing, sunny guitar play creates a warm summer vibe. mollono.bass bangs the kick drum a little louder, arranges a bouncing groove based on catchy offbeat chords, and inserts the fluffy sound of a transverse flute. in another version, he additionally involves the latin charm of singer ava. finally the last track on this ep comes with dubby delay sounds, a jamaican-flavoured vocal sample and smoky beats: >pull up< by robot needs oil is a musical invitation for inspired mindbody relaxation

a couple of months after the release of sweet nothings, dapayk & padberg are once again treating the vinyl-heads amongst us to a 12? consisting of a sunny selection of the albums core material, just in time for spring. kicking off the a-side, berlin summer nights is nothing short of an anthem: classic rave sounds of epic proportions glide through an arrangement of bouncy beats, crisp percussive work and hopeful vocals until a powerful breakdown delivers the hands-in-the-air moment. this year, summer has come early. next up, the sun came up bedazzles with a pumping beat and robotic vocals, while a progressive synth lead helps along the track’s love lyrics, turning this into a truly stunning musical moment, which already proved its power at sweet nothings’ heart. on the flip, dapayk & padberg present the albums opener, the trippy too lazy. here, were dealing with a rather brooding afterhours number that is equal parts paranoid and mesmerising as a wonky bass vibrates under dubbed out pads, eerie synths and vocal whispers. the perfect antidote to the cheery a-side!

excellent todd terje & i-robots remixes !
todd terje s superb reworking of the units classic high pressure days , todd terje twists the original parts into a high intensity, floorfilling anthem driven on by live drums and warm analogue synths and bass. this is a mix that retains all the character of the original whilst bringing it bang up to date with an inspired take on this great record. available for the first time on a limited press since 2012. get on this fast or miss your chance of owning this todd terje masterpiece on vinyl.

in its own way, speicher on kompakt extra has always been one of the most uncompromising series in the kompakt universe. starting out as a mere compilation series to tie up some loose ends from our regulars, it has since become a guarantee for vanguard dance sounds from all over the planet, with kompakt being able to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. thats also where we found the highly versatile sei a, native glaswegian, now residing in london and immersing himself in the hybrid house, firm techno and bass-heavy scenes that happily co-exist within uks capital. he is well known to paint vivid and emotional sonic pictures that touch on rather more considered house and bass tropes, prizing feeling over fads and staging an impressive balancing act between hardcore beat science and lush, moody arrangements. this 12 inch is no different, featuring two stellar examples for sei as stylistic reach, rave stabs included. welcome to the many-faceted party that is speicher

for the labels 14th release, memento welcomes the collaboration of italys finest house enthusiasts pastaboys, who bring their love of dance musics black roots and afro-american soul sounds, combined with an exquisite european-influenced sense of rhythm and melodies.>tresca< evolves around a sweet italo-disco bass that sends the listener back to the 70s: a soundtrack to a sleazy underground movie, with nightmare-ish synth chords in the background.strong claps and percussion build the tension up to a donna summer-esque break, leading the track to an anthemic climax ready to shake the asses of all the party people out there.

nice price deal !!! this new record from dj absurd on kiosk records imprint sets new musical landscapes for the parisian producer.more used to dancefloor tear-out anthems than soundtracks for meditation , he delivers there a very deep record bringing back the memories of his uk garage background. both tracks on this ep have enough sub bass to make the ground shake even if listened to on laptop speakers ! skanky drum patterns & dubby chords ride on a gigantic bass worm making its way from your feet to your brain in a second.for fans of: dmz, mosca, random trio, kryptic minds & generally speaking it will please any bass music enthousiast in a deep mood

finally the remixes of the celebrated jonsson/alter mod album is here – featuring no less than minilogue, donato dozzy and dorisburg (half of swedish duo genius of time). my god, that took some time. but no harm is done. all remixes has some kind uplifting and sunny trance mode to them, so as it turns out, this is actually the prefect spring release.minilogue starts out with the track kyrka 2.0 and ads both speed and length. donato takes on the track acapellan and does everything right. keeping the beautiful vocals of the original, donato adds bass line and new drums. the ep closes with another swedish contribution. alexander berg aka dorisburg from duo genius of time reworks djup house, and does it well. a solid bass line keeps us grounded to the dance floor while dreamy melodies and harmonies gently lift our serotonin levels. enjoy! before leaving you to the music we would like to thank minilogue, donato dozzy, dorisburg and last but not least, henrik jonsson and joel alter

180gr vinyl!! bjak and dubbyman team up to become twin beats on the latters deep explorer imprint. this is the pairs first collaborative release, but their studio chemistry is there for all to see as the first few bars of >do it properly< ease out through your speakers. its floaty, jazz-flecked house bathed in pools of gently rippling bass tones, and things are given a sophisticated edge by the adroit vocals of brian cullen. this shares the a-side with the slightly more upbeat >water walk with me<, with cullen matching marvin belton in the modern day soulful crooner stakes. flip over for a remix of the title track from - gulp - larry heard, with the chicagoan legend turning in a typically sumptuous slice of machine soul that naturally hogs the vast majority of the b-side, before an excellent ep is rounded off by a beatless outro

cork based producer and dj shane linehan has cut quite the impressive swathe in the first few months of 2012, anointing his own basic groove imprint in fine style with the swiftly sold out 12 inch my initial grooves as well as gracing mad mats local talk label with a stellar vinyl drop. linehan returns to the controls for the second basic groove release with more of the same - namely deep, tracky productions notable for a crispness in percussion and rawness in texture. lead track >get together< is a swaggering example of linehans style, with a groove formed of low set bass stabs and playful neon chords. its complemented by the deeper sounds of >the future< with the opening shards of dubby chords soon aided and abetted by snapping rimshot percussion, thick bass clouds and the whispered titular vocal.

after the great success of jerk house connections velvet touch release, stalwart is quite proud to present you its 21st release from one influential member of the infamous broken beat uk combo bugzintheattic: orin walters aka afronaut. orin heard the slam poetry of suheir hammad, a speech about the wheel power not to give up into any extreme ideological, political and/or religious undemocratic system. he craftily joined his minimalist deep groove to emphasize it, giving birth to eye will not, a track that is sure to be noticed in any sets. on the remix treatment, bugzintheattic have been working on their classy broken beat treatment, whereas dj rork has been giving it an infectious hypnotic house touch with an heavy bass, while deep house man of the moment djeff kalukuta relift it for the more south african house music dance floors.
another quality and classy release from stalwart sure to take wmc 2012 by storm! already getting early support from phil asher, yass, ian friday, ralf gum, master kev, abicah soul, lars behrenroth ...

this smashing and diverse tune has been getting biiiig response all across the globe with heavy support from the top including hatcha, n-type, plastician and a slew more.originally debuted on targets bbc 1xtra show,doctors pristine grime vocal studio work makes this track accompany a heavy sub-bass signature sound you can only get from musicians who immerse their lives into dubstep and spend time developing their own style.those such musicians are megalodon and conscious pilot.

merc 009 sees another mark e 2 tracker with snow walker & environment. snow walker combines an uptempo relentless percussive hard nosed rolling drum rhythm, running parallel with shimmering disco lights, synth blobs and a messed up yeti vocal nag, nestling comfortably somewhere between the black country and the black forest. environment however pushes itself all deepness and glory with electronic female vox, looping sub bass boogie and a slow sasquatch techno sensibility.